I've got two large heavy studio desks up here and there's also been a lot of activity the floor is mechanically fine. If I'd been building something more ambitious (and had more headroom!) I'd have used the extra boarding though.įrom a structural point of view there's no issue laying 12mm laminate directly onto the SoundMat2. The laminate is quite dense at 14kg/1.19m² and for my domestic purposes the acoustic result is good enough. The joists have a layer of Green Glue joist tape on them, over which is 22mm flooring chipboard, upon which is laid the SoundMat2 (with the joints taped) and then 12mm laminate laid directly onto the SoundMat2. This, combined with the additional headroom lost to resiliant bar and double-plasterboard meant I got to the point where every mm counted and I didn't feel able to spend that 6mm on additional boarding!įortunately it's not proven a problem in my environment at all. In my case it wasn't practical as I was compromised on ceiling height due to the 50mm battening I had to attach to the underneath of the roof joists in order to get enough depth of RW3 above the ceiling to satisfy building regulations. The SoundMat2 says it needs another 6mm layer before the engineered wood, was this unnecessary in the end? Hey Eddy, what's your floor build up from the joists? * No guarantee it'll suit anyone else's of course but it's perfect for me! Most kitchens come with pergo floors and European designer cabinets. Condo Seattle WA MPV50885830 - The Saxe is an Energy Star Certified Building, 94 Score offering 32 luxury apartments with thoughtfully designed floorplans including large studio alcoves, lofts, one bedrooms and two bedrooms. It'll scale too as one can simply keep adding more ESIs as needed 2402 NE 65th St, Seattle, WA 98115 is a property for rent. The bottom line is a MIDI network to suit my workflow* with both USB and DIN support, bridging between the two if using the DAW or my Kenton USB host and also suitable for 'live' use if the DAW is powered down. One limitation is the hardwired nature of which devices are hanging off which MSI but in practice that's not really a problem for me, plus it's trivial to use one of my little Philip Rees MIDI mergers to combine the outputs of two controllers as part of the patch if I want to. This is to take advantage of the splitter functionality on each MSI whereby anything received on port 1 can be duplicated to the other ports as outputs, thus I can patch a controller/hardware sequencer (XS8, K2700, Korg SQ64, Squarp Pyramid etc) to port 1 of the M4U and play 7 devices and another controller to the M8U and play 15.Īll of the MSI ports are visible in the DAW as well of course and that means I can route the output of any MIDI USB device to the input of any DIN-only synth hanging off the MSI ports.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |